Truths, Mystery and Memory: Why the National Gallery Singapore Still Fascinates Me

SINGAPORAMA artwork by Navin Rawanchaikul at National Gallery Singapore

In Singapore, I have always been fascinated by truths, mystery and curiosity. Since young, I have loved exploring places that carry stories deeper than what the eye first sees. Over the years, the National Gallery Singapore has remained one of my favourite places for that reason. It is not just a gallery of art. To me, it is a place where architecture, memory, identity and community quietly meet, inviting us to look again at how Singapore became what it is today.

Each visit feels like stepping into layers of Singapore. The grand civic building, with its columns, stone facade and sense of weight, reminds me that this place once stood at the centre of public life. Today, it carries a different role, but no less meaningful. It is now a home for art, reflection and memory. That alone says something extraordinary about heritage in Singapore. We do not simply preserve old spaces and leave them behind glass. We give them new life, new purpose and new relevance.

One of the first works that immediately caught my attention was SINGAPORAMA by Navin Rawanchaikul, and I loved it the moment I saw it. It was impossible to ignore. Monumental in scale, vibrant in detail and full of life, it felt far more than an artwork hanging in a large space. Knowing that it is the largest artwork ever produced by Navin Rawanchaikul and his studio makes it even more remarkable. Created in less than six months, the monumental canvases were entirely hand-painted in a realist style, marked by meticulous detail and extraordinary scale. Complemented by video interviews and a travelogue film, the project reflects an immense collective effort, bringing together painting, moving image and storytelling in a way that feels both ambitious and deeply human.

Set against the grand facade of the National Gallery, SINGAPORAMA felt like a living collage of Singapore. The historic building behind it carried the weight of civic memory, while the artwork in front seemed to pulse with faces, stories, voices and shared experience. That contrast stayed with me. If the building preserves history in stone, SINGAPORAMA seems to preserve it in people. In that moment, it felt as though the past and present were speaking to each other one holding the structure of history, the other carrying the lived and breathing energy of community.

What moved me most about SINGAPORAMA was its collective spirit. Heritage is rarely created by one person alone. Community, identity and memory are built through many hands, many encounters and many lives. That is why this work felt so fitting within the National Gallery. It did not just impress visually. It expressed something essential about Singapore that our story is layered, collaborative and always larger than any one individual.

Over the years, I have probably lost count of how many times I have chanced upon the works of Xu Beihong, Georgette Chen, Chen Wen Hsi, Liu Kang, Lim Tze Peng and many others. Yet each encounter still feels fresh. There is something timeless about old art. I have always been drawn to that world, from classical paintings and calligraphy to abstract art that leaves room for thought, interpretation and feeling. Good art has a way of meeting you differently at different stages of life. What once looked beautiful may later feel meaningful. What once seemed distant may suddenly feel personal.

That is one reason why the National Gallery keeps drawing me back. It is not just about seeing artworks. It is about revisiting familiar names and finding new meaning in them each time. Art, to me, preserves more than beauty. It preserves mood, culture, memory and the quiet spirit of a people. In a fast-moving city like Singapore, these works remind us that our story was never built only through steel, policy and progress. It was also shaped through imagination, expression, struggle, tenderness and human observation.

Mother and Child sculpture by Ng Eng Teng at National Gallery Singapore

One work that caught my attention again was Ng Eng Teng’s Mother and Child. There is something warm and enduring about it. Beyond its form, what fascinates me is that the sculpture itself has had a journey over the years. In some ways, that feels symbolic of heritage in Singapore too. Memory is not always fixed in one place. Sometimes it is carefully moved, preserved and given a new home, so that another generation can continue to encounter it afresh. A work like this reminds me that heritage is not static. It travels with us, and we continue to reinterpret it through time.

 

Former City Hall conservation display at the National Gallery Singapore

I was also drawn to the installations that showcased the conservation story of the Gallery itself. Looking at old photographs, restoration details and architectural elements, I was reminded that the National Gallery is not only a place that houses heritage. It is itself part of heritage. The former City Hall and old Supreme Court are not just impressive buildings. They are part of Singapore’s civic memory. Seeing how the space was carefully transformed deepened my appreciation for the idea that conservation is not merely about protecting walls, but about preserving meaning.

Even the wider experience of the Gallery adds to this sense of layered culture. The presence of heritage dining within the building, including Violet Oon’s restaurant, reinforces the idea that Singapore’s story is not only found in art and statehood, but also in food, memory and lived culture. In one space, architecture, art and culinary heritage quietly speak to one another.

 

Singapore state symbols display at the National Gallery Singapore

Another part that stayed with me was the display of Singapore’s Constitution, state symbols and early nationhood materials. Standing before these exhibits, I felt that heritage was no longer only about culture and aesthetics. It became something deeper, about responsibility, belonging and the shared journey of nationhood. The Constitution, the state flag and the state crest were not just objects behind glass. They were reminders that Singapore’s identity had to be shaped, defined and carried forward with intention.

The section on citizens’ duties struck me too. In modern Singapore, we often speak about rights, convenience, progress and opportunity. Yet heritage also reminds us that citizenship carries responsibility. A nation does not become strong only through development and economic growth. It depends on whether people understand their role in society, whether they contribute, whether they care, and whether they choose to be part of something larger than themselves. That was a powerful reminder that community is not accidental. It is built.

Electoral history display at the National Gallery Singapore

One of the exhibits that moved me most was the electoral display linked to Singapore’s early self-government period. Looking closely, these were not merely old campaign posters and candidate sheets. They represented a generation of political figures standing at a defining point in our history, including those who would later be remembered among Singapore’s founding generation. What struck me was that before they became names etched into national memory, they were first candidates before the people, seeking trust at a time when Singapore’s future was still unfolding.

That made the experience feel deeply human. History often presents great figures as if they were always larger than life. But exhibits like these remind us that nationhood begins in very real and ordinary ways, through participation, responsibility, trust and choice. It begins with citizens who vote, leaders who step forward, and a society willing to shape its own destiny together. In that moment, heritage did not feel distant. It felt alive in the faces, decisions and uncertainties of the past.

Perhaps that is why the National Gallery Singapore continues to fascinate me after so many visits. It speaks to the part of me that has always been curious since young, always wanting to know more, look closer and uncover the stories beneath the surface. Every corner seems to reveal another truth, another question, another layer of memory. Sometimes it is found in an old master’s painting. Sometimes in a sculpture. Sometimes in a constitutional display, an election poster, a conservation installation or a monumental work like SINGAPORAMA that gathers people, memory and imagination into one visual field.

To me, the National Gallery is more than a favourite place to visit. It is one of those rare spaces in Singapore where art, history and nationhood do not feel separate. They come together and remind us that heritage is not just about the past. It is about how we see ourselves today, and what kind of community we want to continue building for tomorrow.

In a city that moves quickly, places like this matter. They slow us down. They ask us to remember. They invite us to reflect. And perhaps most importantly, they remind us that behind every institution, every milestone and every national symbol, there were always people, stories and shared hopes that made Singapore what it is.

That is why I keep returning.

A Quiet Reminder in Stone

Before leaving, I found myself looking up once more at the facade of the building. It was not only the grandeur of the columns or the weight of history that caught my attention, but something quieter. Looking closely, some parts did not seem fully reinstated. I took these photographs because that detail stayed with me.

To me, it felt like more than an architectural detail. It felt like a reminder. Not everything in heritage needs to be polished back into perfection. Sometimes, what remains visible speaks more deeply than what has been renewed. The building seems to carry memory in silence, reminding us that Singapore’s story was shaped not only by progress and success, but also by hardship, disruption and endurance. In a fast-moving city, such traces matter. They invite us to pause, reflect and remember that the past was not without scars. Perhaps that is one of the deeper meanings of heritage: not everything is meant to be erased. Some marks remain, so that memory can remain too.

And in that quiet reminder, the building still speaks of Singapore.

Architectural facade detail of the National Gallery Singapore showing unrestored ornamental sections

Tekka Centre: Vibrant Culture, Rich Colours, and the Everyday Spirit of Singapore

Heritage & Community

Tekka Centre: Vibrant Culture, Rich Colours, and the Everyday Spirit of Singapore

A reflection on Tekka Centre as a living tapestry of heritage, food, memory, and the shared community life that continues to shape Singapore.

By Andrew Koh Heritage & Community Singapore Reflection

There are places in Singapore that do more than serve a function. They do not merely provide food, shelter, or convenience. They hold memory, identity, rhythm, and the unseen threads of human connection. Tekka Centre is one of those places.

To some, Tekka may simply be known as a busy hawker centre, a wet market, and a place closely associated with Little India. To others, it is where one goes for a good meal, fresh produce, and everyday errands. But beyond these practical roles, Tekka represents something much larger. It reflects the pulse of a Singapore that remains colourful, communal, and deeply human.

On a visit to Tekka, what stood out to me was not just the crowd, the food stalls, or the fruit vendors. It was the feeling of movement and life. There was something grounding about the place. It felt lived in. It felt honest. It felt like a place where Singapore’s multicultural spirit still expresses itself naturally, not through slogans, but through daily life.

“Vibrant Culture, Rich Colours” feels less like a slogan at Tekka, and more like a true description of the place itself.

The Mural, Memory, and a Shared Civic Story

One of the most striking sights near Tekka is the mural inspired by Founding Prime Minister Mr Lee Kuan Yew’s visit to Tekka in April 2010. The mural, by local Singaporean artist Belinda Low, is more than public art. It is a visual reflection of community. The accompanying message speaks of vibrant culture, prosperity, unity, diversity, and shared experiences. Those words do not feel out of place. In fact, they feel very much alive in Tekka itself.

Standing before the mural, one gets the sense that it is not merely commemorating a visit. It is preserving the spirit of a place. The figures painted into the scene are not polished abstractions. They are recognisable as everyday people, families, elders, workers, and children. The mural reminds us that Singapore’s story has never only been about infrastructure and progress. It has also always been about people standing together in common spaces, shaped by different traditions yet bound by a shared civic life.

Tekka is one of those places where the idea of multiculturalism is not staged. It is lived, seen in the faces, heard in the languages, smelled in the food, and felt in the atmosphere.

The Everyday Rhythm Inside Tekka Centre

Walking through Tekka Centre, one notices this almost immediately. There is energy, but not emptiness. There is noise, but not chaos. The place is busy in a way that feels familiar to many Singaporeans. People gather over meals, queue for drinks, carry bags of vegetables and fruit, pause in conversation, or move steadily from one errand to the next. Some are clearly regulars. Some may be visitors. Some are older residents who have probably known this area for decades. Others are younger families and workers passing through. Together, they create the layered reality of a living public space.

The festive decorations overhead add another dimension to the setting. They bring colour and warmth, but they also remind us that places like Tekka are not static. They change with the seasons, festivals, and communities that use them. A place like this does not need to be frozen in time to have heritage value. Its heritage is not only in what it used to be, but in how it continues to be relevant and alive today.

Sometimes, when people speak about heritage, they imagine old buildings as museum pieces, or neighbourhoods as relics of the past. But true heritage is not always silent or preserved behind glass. Sometimes it is noisy, humid, crowded, practical, and wonderfully ordinary. Sometimes it is found at a hawker centre table, in a fruit stall exchange, in a shared walkway, or in the way a market continues to serve generations of people from different walks of life.

Tekka is one of those places where heritage and everyday life continue to meet.

Food, Familiarity, and Emotional Connection

Inside the food centre, the atmosphere says a great deal about the social role these spaces still play in Singapore. People are not just eating. They are gathering. Hawker centres have long been part of Singapore’s social fabric, but each one carries its own character. Tekka’s identity is shaped by the cultures that converge there, especially the strong South Asian presence that gives the area its distinct flavour, visual richness, and culinary reputation. Yet it also remains unmistakably Singaporean in its inclusiveness. There is a sense that many communities know this place, use this place, and somehow belong to it.

Personally, Tekka is also a place I enjoy returning to. I have always liked venturing here for a good cup of coffee, a hearty plate of chicken briyani with basmati rice, and, from time to time, some roti prata with egg. These simple favourites are part of what makes the place special to me. Food often becomes part of memory, and at Tekka, those familiar tastes sit naturally alongside the colour, energy, and community spirit that define the experience.

That sense of belonging matters, especially in a fast-moving city where redevelopment, digital convenience, and changing lifestyles can gradually loosen the human ties that once defined daily life. In an age where groceries can be delivered and meals can be ordered without stepping outdoors, there is still something deeply valuable about places that require us to be physically present among others.

To stand in line. To look around. To exchange a word. To notice an elderly shopper, a busy vendor, a family choosing fruit, or an old friend meeting another over breakfast. These moments may appear small, but they are not insignificant. They are part of the civic texture of a healthy society.

The Fruit Stall and the Human Side of a Market

The fruit section, in particular, carries its own kind of intimacy. Fruit markets are rarely glamorous, but they often reveal the most human side of a place. There is selection, asking, helping, waiting, carrying, and advising. There is familiarity between seller and customer. There is the subtle trust built through repeated encounters. In a city where so much is becoming increasingly frictionless and transactional, these old patterns of interaction still matter.

They remind us that community is not built only through major initiatives or national campaigns. It is also built in repeated everyday contact, in recognition, in presence, and in the habits of a shared environment.

This is one reason why places like Tekka continue to deserve attention, appreciation, and respectful documentation. They are not just useful spaces. They are social anchors. They hold together a kind of lived Singaporeanness that can be difficult to define but easy to feel.

Why Places Like Tekka Still Matter

It is also worth reflecting on the symbolism of colour at Tekka. The mural, the buildings, the festive ornaments, the produce, the clothing, and even the visual noise of the hawker centre all combine to create a vivid environment. These colours are not superficial decoration. They express the character of the place. They speak to the confidence of cultural visibility. They suggest that diversity here is not something hidden or muted. It is present, expressive, and woven into the environment itself.

In many ways, Tekka offers a counterpoint to the polished and highly curated spaces of modern city life. It is not sterile. It is not trying to impress through perfection. Its beauty lies in its authenticity. It reflects the textures of real life: the worn floor tiles, the crowded seating, the practical shopfronts, the flow of people, and the occasional disorder that comes with genuine activity. For some, this may seem unremarkable. But for those who value places where society still feels tangible, it is precisely this unfiltered quality that gives Tekka its meaning.

Perhaps that is why the mural’s message feels so fitting. “Vibrant Culture, Rich Colours” is not merely a slogan mounted on a wall. It is an accurate description of the living spirit around it. Tekka is vibrant not because it is loud, but because it is alive. It is rich in colour not only visually, but socially and culturally.

A Living Tapestry of Singapore

As Singapore continues to modernise, it becomes even more important to recognise and value the spaces where everyday community life still unfolds in visible and organic ways. Places like Tekka teach us something important. They remind us that progress should not mean losing touch with the ordinary places where identity is shared and sustained.

They remind us that culture is not only performed at major events or formal institutions. It is also carried in daily routines, in common spaces, and in the interactions of ordinary people.

For younger Singaporeans, Tekka can be a place of discovery. For older generations, it may hold memory. For visitors, it offers a glimpse into a side of Singapore that remains deeply rooted in real community life. For all of us, it can serve as a reminder that the heart of a city is not measured only by skyline, policy, or efficiency. It is also measured by whether its people still have places to gather, relate, and belong.

Tekka Centre remains one of those places.

In its mural, its walkways, its market stalls, its food centre, and its human flow, it offers something increasingly precious: a living picture of shared space, cultural confidence, and everyday coexistence. It reminds us that Singapore’s strength has never only been in its ability to build. It has also been in its ability to bring different people together and allow them to live, eat, work, and grow alongside one another.

That is why Tekka matters. Not just as a destination. Not just as a landmark. But as a living tapestry of Singapore itself.

Andrew Koh
Founder, AndrewKoh.sg